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Shishirgano9
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Joined: Tue Dec 24, 2024 9:15 am

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Post by Shishirgano9 »

We can also think of other forms of financing. In the series Irrésistible broadcast on Disney+. the heroine Adèle. head of a podcast studio. imagines La Maladie d'amour . a program that mixes love stories and scientific analyses. This podcast has become a reality and is produced by Louie Media: 10 episodes of 30 minutes. presented by Camélia Jordana… This is an interesting development path. However. the risk would be to condemn the podcast to the status of a derivative of another production.


In this context. the operation launched by Louie Media and georgia telegram Disney makes sense: the studio produces what the series imagines. There is a form of continuity. but the podcast remains subordinate to the initial production despite everything. It would be ironic if a film or series received aid and funding and not the podcast that results from it. Today. it is a question of recognizing a new register of cultural practices.


In France. we pride ourselves on asserting the cultural exception. which involves the protection and recognition of a special status for authors. This regime must obviously be extended to new forms of creation. Painters opposed the status of photographers as artists: we are not going to replay the same scenario every twenty years. while the field of artistic and media expressiveness is expanding [in particular thanks to advances in generative AI technologies. Editor's note.
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